
Vizcarra
Feline Focus
€70€170
Animals and instinct
Wildlife work earns its place on a wall by holding a gaze. Where a landscape opens a room out, an animal portrait puts something in it — a raven watching, a fox family half-hidden, a horse caught mid-movement.
These are patient photographs and mixed-media studies rather than trophy shots, hand-signed by the artists who made them and shipped unframed.
30 signed wildlife works, priced €50–€200 — a watching raven, a fox family, a horse caught mid-movement. Where a landscape opens a room out, an animal study puts a presence in it, which is why these hold a gaze better than any other subject here.
Landscape work opens a room out. Wildlife work does the opposite — it puts something in the room. An animal study holds a gaze in a way no other subject here manages, and that is a decision about how a space should feel rather than a decorative preference.
These 30 works are patient photographs and mixed-media studies rather than trophy shots: a raven watching from a branch, a fox family half-hidden in undergrowth, a horse caught mid-movement. The animal is a presence in them, not a specimen.
This is the one practical rule that matters with animal work, and almost nobody applies it. If the subject is looking to the left, hang the print so it has room to look into — on the right-hand side of a wall, or at the right end of a group. Facing the piece into a corner makes the whole composition feel trapped, and viewers register it without being able to say why.
The same rule governs pairs. Two animal prints facing each other read as a conversation; two facing outward read as an argument.
Wildlife suits rooms people sit still in — a reading corner, a dining wall, a study — because the reward is in the second and third look rather than the first. It is a harder fit above a sofa, where the piece is behind the people rather than in front of them. Sizes in this edit run 40×30 – 60×40 cm.
Frame with a generous mat: an animal photographed against a busy natural background needs breathing room between the image and the moulding. Every print here is a limited edition of 25, hand-signed and shipped unframed and rolled, priced €50–€200.
Into the room, not into a corner. If the subject is looking left, hang it on the right-hand side of a wall or at the right end of a group so it has space to look into. Viewers register a trapped composition immediately even when they cannot say why.
Rooms people sit still in — a reading corner, a dining wall, a study — because the reward is in the second and third look. It is a harder fit above a sofa, where the piece ends up behind the people rather than in front of them.
No. These 30 works are patient photographs and mixed-media studies in which the animal is a presence rather than a specimen — a raven watching from a branch, a fox family half-hidden in undergrowth, a horse caught mid-movement.
Generously. An animal photographed against a busy natural background needs breathing room between the image and the moulding, or the background and the frame run together and the subject loses its edge.
Yes. Every work in this edit is a limited edition of 25, hand-signed by the artist who made it, usually on the reverse so the signature does not compete with the image once framed.
Prints ship rolled in a protective tube from Spain, dispatched in 1–2 business days. Delivery is €8 within Spain, €18 across the European Union, €30 to the UK, Switzerland, Norway and Iceland, and €55 to the United States. Orders over €200 ship free within Spain and the EU.
Yes — you can return an unframed print in original condition within 14 days of delivery for a refund to the original payment method. Prints ship unframed, so as long as it has not been mounted or trimmed it can go back.