
Bellucci
The Red Houses in a Sea of Green
€60€180
Natural palette
Green is the colour a room reads as calm without reading as empty. It carries the associations of the outdoors into a space that has none, which is why it works in rooms with little natural light and rooms with too much.
Meadow, woodland and field, plus the occasional abstract in the same register. Every print hand-signed and shipped rolled in a protective tube.
13 works in meadow, woodland and field green, priced €50–€280. Green is the colour a room reads as calm without reading as empty, and it carries the outdoors into spaces that have none — which is why it holds up in both dim rooms and over-lit ones.
Green is the colour a room reads as restful without reading as bare. That is a narrower trick than it sounds: most calming palettes achieve calm by subtraction — fewer colours, less contrast — and end up feeling unfinished. Green carries the associations of the outdoors instead, so a room gets the quiet without losing the content.
These 13 works, priced €50–€280, run through meadow, woodland and field, with the occasional abstract in the same register. It is a smaller edit than the colour deserves, and deliberately so — a green print only does this job when green is genuinely the dominant colour, rather than a patch of foliage somewhere in the frame.
Green is unusually stable across lighting conditions, which is why it works in the two rooms that defeat most prints. In a dim, north-facing space it holds its identity where a pale blue would go grey. In a bright, over-lit space it absorbs the glare that makes a high-contrast monochrome print look bleached at midday.
The exception is fluorescent and cool LED light, which pushes green toward yellow. In a kitchen or a workshop lit that way, favour the deeper woodland work in this edit over the bright meadow greens.
Green is the natural companion to real plants rather than a substitute for them, and a botanical print hung above or beside greenery reads as intentional in a way it does not on a bare wall. It is also the easiest colour to hang in a room with wooden furniture, because the two share a warm base. Sizes in this edit run 40×30 – 60×40 cm.
Frame in natural oak or a plain white moulding; dark walnut tends to muddy the mid-greens, which is where most of the detail in this kind of work sits. Each print is a limited edition of 25, hand-signed by the artist who made it and shipped unframed and rolled, priced €50–€280.
It is unusually stable across lighting conditions. In a dim north-facing room it holds its identity where a pale blue turns grey; in an over-lit room it absorbs the glare that leaves a high-contrast monochrome print looking bleached at midday.
Anywhere lit by fluorescent or cool LED light, which pushes green toward yellow. In a kitchen or workshop lit that way, favour the deeper woodland work in this edit over the bright meadow greens.
Yes — better than it works alone. Green is a companion to greenery rather than a substitute for it, and a botanical print hung above or beside plants reads as intentional in a way it does not on a bare wall.
Natural oak or a plain white moulding. Dark walnut tends to muddy the mid-greens, which is where most of the detail in these 13 works sits.
Yes. Every work in this edit is a limited edition of 25, hand-signed by the artist who made it, usually on the reverse so the signature does not compete with the image once framed.
Prints ship rolled in a protective tube from Spain, dispatched in 1–2 business days. Delivery is €8 within Spain, €18 across the European Union, €30 to the UK, Switzerland, Norway and Iceland, and €55 to the United States. Orders over €200 ship free within Spain and the EU.
Yes — you can return an unframed print in original condition within 14 days of delivery for a refund to the original payment method. Prints ship unframed, so as long as it has not been mounted or trimmed it can go back.