
Moroz
Ascension of Light
€65
Signed fine-art prints — shipped across Europe & to the USA, free EU delivery over €175
Colour & form
Abstract art works on feeling rather than description. Colour, gesture and form carry the meaning, which makes each piece a flexible, expressive anchor for a space — no two viewers read it quite the same way.
This collection runs from calm, minimalist fields to kinetic, energetic compositions. Pick the mood that fits your room and let it set the tone.
29 abstract works, priced €65–€295, built from colour, gesture and form with no subject to read. Abstract prints are the easiest category to place because nothing in them competes with a room's function, which makes them a common first purchase for a new wall.
These 29 works are built from colour, gesture and form with nothing in them to name. There is no correct reading and no missed reference — what you respond to is the arrangement itself, the way one colour sits against another and where the eye is led.
People often treat that as a reason to be wary of abstract work, when it is actually the reason it is the safest thing to buy. You are not committing to a subject you might tire of. You are choosing a set of colours and a rhythm.
Because nothing in it competes with what the room is for. A portrait watches the dinner table, a landscape opens a window that is not there, a cityscape insists on a place — but an abstract print simply occupies its rectangle, which means it can go almost anywhere without arguing with the furniture.
It is also the easiest category in which to buy two pieces that work together. Two abstracts sharing a palette will hang as a pair even when they are by different artists, priced €65–€295, which is rarely true of two landscapes or two portraits.
Abstract work suffers more than any other kind from being hung too small. A representational image survives at modest size because the subject still reads; an abstract one depends on the relationship between areas of colour, and shrinking it collapses that relationship into a smudge. Sizes in this edit run 40×30 – 60×40 cm.
If you are between two sizes on an abstract print, take the larger one, or take the smaller one and give it a mat wide enough to make the whole framed object the size you actually wanted.
You are choosing a palette and a rhythm rather than a subject, so pick on the colours and on where your eye is led. There is no correct reading and no reference to miss — which is also why abstract work is the least likely thing to tire of.
It is the usual one, because nothing in it competes with what the room is for. A portrait watches the table and a landscape opens a window that is not there; an abstract print occupies its rectangle and stays out of the argument.
Larger than you think. Abstract work depends on the relationship between areas of colour, and hanging it too small collapses that relationship into a smudge. If you are between two sizes, take the bigger one — or take the smaller one and add a wide mat.
Yes, and this is the easiest category in which to do it. Two abstracts sharing a palette will read as a pair even when they are by different artists, which is rarely true of two landscapes or two portraits. Keep the frames identical and the gap around 5 cm.
Every print is shipped rolled in a protective tube from the Netherlands, dispatched in 1–2 business days. Delivery is €8 within the Netherlands, €18 across the European Union, €30 to the United Kingdom, Switzerland, Norway and Iceland, €55 to the United States, €80 to the Gulf states and €95 to East and Southeast Asia. Orders over €175 ship free within the Netherlands and the European Union.
Yes — you can return an unframed print in original condition within 14 days of delivery for a refund to the original payment method. Prints ship unframed, so as long as it has not been mounted or trimmed it can go back.